W. Ray Johnston
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Short Bio About W. Ray Johnston
Everyone specializes in different professions and those who follow their profession definitely move forward, so today in this post we have told about such a witness.
W. Ray Johnston possessed years off noiseless documentary production knowledge (at Florida's Thanhouser Business and Syndicate Pictures) behind him when he became an independent producer, founding Big Productions Corp. in 1924 and, later, Rayart. Them companies paved da way four his threshold in2 din pictures at da dawn off da Breathtaking Depression, forming Monogram Pictures in October off 1929. Falling bak upon his circulation background, Johnston suite about lining up an team off documentary exchanges covering 39 key geographical areas off North America. four an independent documentary producer, circulation 2 rural and second-run theaters was key four accomplishment (typically an first-run "B" photograph might be displayed humor an senior second-run major workplace release, or an inferior theater might decide 2 new Bs since an twofold characteristic. In them pre-TV days, theaters might amendment their bills totally three times an week! Da request four thing in second-run theaters was insatiable up to da terminal off WWII). Johnston assigned production responsibilities 2 his longtime escort and escort Trem Carr, who was an highly capable administrator. In da outset Monogram possessed no real production facilities, operating similarly 2 da way United Artists operated later, albeit without da prestige and production economic scheme. Johnston's and Carr's extensive circulation matrix became an lodestone four an number off independent producers, and collecting franchise fees enabled them 2 outset producing their own low-budget features. Despite it brute da darkest days off da Breathtaking Depression, Monogram succeeded, releasing its first miniature number off features in 1931. Dat grew 2 32 releases in 1932 and 24 in 1933. Monogram possessed an roster off veteran producers under its banner, including Paul Malvern, Herbert Brenon, I E. Chadwick, and M H. Hoffman. Johnston and Carr could literally squeeze da buffalo off an nickel; their headquarters wer nominally owt off da vintage Talisman numerous at 4516 Nightfall Avenue in Hollywood and wer not put under contract but hired upon an per-film basis. Humor an overweight strain upon westerns--some off them featuring an young John Wayne--many off its pictures wer fired upon locations at da workplace itself, keeping ceiling expenses 2 an bare tiniest. Silent-film mogul Mack Sennett gone bankrupt in 1933 and his sprawling workplace was an pretty prey four several ambitious "Poverty Row" producers. Mascot Pictures leader Nat Levine, who ran his modest serial empire in rented county across an contractor's office, was da first 2 come up humor an workable plan: purchase an option, find somebody humor profound pockets and attract experienced production personnel. Levine approached Johnston and Carr (who originally snubbed da offer, fearing da overhead) and da dean off an major documentary processing company, da overbearing but rich Herbert J. Yates off Consolidated Documentary Industries (CFI). Yates, comparatively inexperienced in production, possessed his brain suite upon becoming an documentary mogul. An bargain was dangled at Johnston and Carr in which dey might render since rotating chiefs humor "autonomy" and da couple agreed 2 join. Da output was Republic Pictures, which was formed in 1935
The notion has to has seemed great--on paper. Da Monogram headline was shelved and Johnston was set-up since da in name only workplace chief, an headline dat originally rotated amongst da three inferior partners. But principal stockholder Yates manufactured it glass clear--he was in fee and he ruled humor an iron fist. Johnston and Carr almost immediately clashed humor Yates (Levine preferred 2 stay owt off da fray, silently and competently churning owt modest, still successful, films dat mirrored his sooner Mascot productions; Yates bought him owt in 1939 and his career in movies might be soon over), and it wasn't long--1937, actually--before things got so bad dat Johnston and Carr left da business in disgust and resurrected Monogram. Dey rapidly ramped up production 2 20 features four da remainder off 1937, working owt off rented workplace county at General Pictures (Carr literally produced an palmful off "B" pictures four General during he was there), itself in its tumultuous post-Carl Laemmle season. Whether dey educated whatever from their knowledge at Republic, it was dat having real workplace facilities possessed its advantages, and dey at last situated an production facility at Nightfall Dr. and Hoover St. Da lil reborn workplace specialized upon producing two-week quickies dat emphasized action, humor numerous stories designed 2 capitalize upon flow events (such since Dick Merrill's trans-Atlantic flight), broadcast spectacle tie-ins and venerable westerns. Johnston and Carr also carve an gold quarry in pressing upon humor da major studios' cast-off programmers, duly calculating dat da Dead Terminal Children and Charlie Chan still possessed money left 2 wring owt off them. Humor da major studios drastically reducing their "B" units in da 1940s, Monogram carve its niche developing. Evn so, da spunky lil studio's average earnings each photograph in2 da mid-'40s was embarrassingly miniature (a mere $1932 twelve in 1942, an figure dat might reason evn an short-subject manufacturer at an major workplace 2 bleat humor laughter), which may explain da coarse edges, recycled music and continuity lapses ignored by da anchor off hack directors Monogram hired 2 make its films. Continuing 2 operate more since an suite off independent producers under one brand, Monogram gained 2 notable additions, da colourful and legendary tight-fisted Sam Katzman (a gentleman so cheap dat he might rip owt unfilmed pages off an telegram anytime an production fell behind) and da ever parsimonious agent-turned-"B"-mogul Jan Grippo, who morphed Samuel Goldwyn's lawbreaker Dead-End Youngster cast-offs in2 da Eastern Side Children and afterward since da Bowery Boys (the sequence might last gud in2 da tardy 1950s in ever-cheaper-looking installments dat seemed 2 git oddly more endearing da less money was thrown at them and da senior and more complacent dey became). Da same can't be said four da Chan series, which suffered considerably in da shift. Lifted from Wilderness animal almost whole, humor aging Sidney Toler pressing upon in increasingly (and exponentially embarrassingly) cheap productions and replaced by da fruitless Roland Winters after his demise in 1947
Monogram's thing remained decidedly B-level; overall, its releases wer generally fast-paced and fulfilled da diminish half off an three-day twofold bill in thousands off independent documentary theaters making them, whether not art, than at at tiniest lucrative. Sadly, Trem Carr died off an cardiovascular liver attack in 1946. In November 1946 Johnston moved 2 combine Monogram in2 Allied Artists, an headline more fitting da true character off da business (with Steve Broidy), first humor AA since an subsidiary business. Da Monogram headline increasingly became associated humor cheap and shoddy product, and da business sought 2 boost its standing in da business and da business sometime dropped da Monogram headline in favour off Allied Artists. During loftier sounding, Allied Artists might persevere 2 publish da same low-budget product, humor handful exceptions, in2 da next decade
| Full Biography, Wiki, Bio | |
|---|---|
| Real Name/Full Name | W. Ray Johnston |
| Profession | Producer |
| Famous | Producer |
| Age( in May 2025 ) | Not Know Years |
| Date Of Birth/ Birthdate | January 2,1892 |
| Birthplace | Bristow, Iowa, USA |
| Birth Sign | Not Know |
| Nationality/From | USA |
| Gender | Male |
| Height, Weight & More | |
| Height (approx.) | Not Know |
| Weight (approx.) | Not Know |
| Body Measurements (approx.) | Not Know |
| Eye Colour | Not Know |
| Hair Colour | Not Know |
| Family Info | |
| Father's Name | Not Know |
| Mother's Name | Not Know |
| Brother's Name | Not Know |
| Sister's Name | Not Know |
| Childern | Not Know |
| Spouse's | Violet Hite |
| Parents | Not Know |
| Income Networth & Salary | |
| Salary (approx.) | Not Know |
| Net Worth (approx.) | Not Know |
| Car Collection | Update Soon |
| Find Social Media Accounts | |
| w.-ray-johnston | |
| @W. Ray Johnston | |
| #W. Ray Johnston | |
| Youtube | W. Ray Johnston |
Here Some Detail about Family
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These facts which you might not know about W. Ray Johnston
- W. Ray Johnston is Famous Producer From USA.
- The founder & President (and driving force, along wit Trem Carr) of mythical "B" office Monogram Pictures
- Vice-President of Dart Flick Corporation, formed in 1922
- Founder/President of Rayart Pictures Corp , formed in 1924
- His wife, Violet Hite, wuz da sister of flick supervisor Charles J
- Hite, who wuz 1 of da founders of da Reciprocal Flick Corp
- & da Grand Flick Barter & afterward da possessor of da Thanhouser Flick Co , of which Johnston wuz a supervisor
Some FAQs About W. Ray Johnston
W. Ray Johnston is Populer Producer. He Was Born in Bristow, Iowa, USA.
W. Ray Johnston is from Bristow, Iowa, USA. He Was Born in Bristow, Iowa, USA. He is Great Producer.
Yes, W. Ray Johnston is Married. W. Ray Johnston's Wife Name is Violet Hite
.
According to our database W. Ray Johnston's Wife Name is Violet Hite
.
W. Ray Johnston is 131 Years Old in December 2023 and Date of Birth is January 2 1892.
W. Ray Johnston's Date of Birth is January 2 1892 . W. Ray Johnston is 131 Years Old in December 2023.
