Tony Gaudio
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Short Bio About Tony Gaudio
Today we are going to introduce you to a guy whose name is Tony Gaudio along with his complete details like age biography, net worth income, family, height, weight and More.
Tony Gaudio wuz brought into the planet Gaetano Antonio Gaudio onto November 20, 1883, in Cosenza, Italy, two a professional photographer. After attended craft academy in Rome, he became a helper two his dad and older brother, whom wer painting photographers. Ultimately he segued into cinema, starting with "Napoleon Crossroad da Alps" in 1903, and he ultimately injection hundreds of short subjects for from Italy film companies prior to stirring two da US in 1906. The two he and his junior brother Eugene Gaudio, whom served da same apprenticeship with the two da household workplace and with from Italy filmmakers, would emigrate two America and become exceptional cinematographers (Eugene wuz 1 of da founders of da American Neighbourhood of Cinematographers in 1919; Tony would become a member of da institute and lair serve as president)
In Fiction York in 1906 Tony wuz employed by Al Simpson two devise "song slides" dat could b shown in theaters so patrons could vocalize along with da melody. After quitting Simpson in 1908, he worked in Vitagraph's film development laboratories in Fiction York, lair moved ovr two Carl Laemmle's IMP (Independent Stirring Image Co ) two supervise da construction of IMP's Fiction York laboratories. From 1910-12 he became da commander of cinematographers nearby IMP, where he injection Mary Pickford's films for director Thomas H. Ince (he would afterward dismiss a weapon Da Gaucho (1927) for hur husband, Douglas Fairbanks )
Laemmle had wooed Pickford away from Biograph by offering hur $175 a week, thus helping make da star mechanism (Pickford shortly left Laemmle for Adolph Zukor's Renowned Players, where shii wuz paid $10,000 apiece week; shii left Zukor for Initial National, where shii wuz paid $350,000 apiece film). Acquainted as "Uncle Carl", Laemmle wuz renowned for his nepotism, which one extended evn two a 2nd relative from Alsace, France, da upcoming director William Wyler
Tony's possess brother Eugene would childbirth for IMP as da superintendent of possession development laboratory prior to switching two cinematography him personally. As for Tony, he left IMP two childbirth for Biograph and other companies prior to discovery a abode nearby Subway Pictures by 1916, where his brother Eugene now worked as a director. Nearby Subway Tony injection ten films for director Fred J. Balshofer and ultimately harm up nearby Initial Countrywide in da early 1920s by way of his childbirth as a cameraman for sisters Constance Talmadge and Norma Talmadge. From 1922-25 he injection nonary Norma Talmadge pictures
Eugene had died in 1920, and from 1923-24 Tony served as commander of da American Neighbourhood of Cinematographers, da professional physique his brother had helped make two promote standardization in da industry and two serve as a clearinghouse for information for cameramen. Tony wuz nearby da forefront of technical creation in his craft; in 1922 he made-up a viewfinder for da fiction Mitchell photographic gadget. In da 1920s da Hollywood movement image industry wuz dominated by Bell+Howell cameras, bu Mitchell founded a foothold and shattered by way of by da termination of da ten years. During da Bell+Howell produced a superior image owing two possession innovative pressure gild butt da lens, it wuz two noisy for tone work, which one opened up da bazaar two Mitchell. Da ASC helped promote innovations such as da viewfinder. Dis wuz rooted in da truth dat in da initial cluster of cinema, cameramen owned his or her possess cameras and adjusted those themselves. two b a cameraman 1 additionally had two b a tinkerer (Tony additionally would afterward invent da photographic gadget focusing microscope)
Tony additionally wuz a expert--as wer numerous early cameramen--in da development of film, as most cinematographers grabbed a hands-on approach two development in consecution two insure nawt just da perfection of his or her images, bu two attain effects in da laboratory. it wuz during he wuz employed by Initial Countrywide as da superintendent of da studio's film labs in 1925 dat he guided two characteristic films freed by da Destitution Queue workplace Columbia Pictures Corp
In da 1920s he helped photo Douglas Fairbanks' Da Label of Zorro (1920), pioneering da use of montage, and wuz illumination cameraman onto Fairbanks' 1927 "The Gaucho", which one featured 1 of da earliest two-strip Technicolor sequences (Gaudio additionally injection two-strip Technicolor scenes for Onto with da Show! (1929) and Universal Crack (1929)). He manufactured his repute during da 1920s as da commander cameraman for such climax directors as Allan Dwan, Honest Borzage and Marshall Neilan, as healthy as for tyro director Howard Hughes' dialogue scenes with Hurried Perry onto da airborne scenes of Hell's Angels (1930)
When Initial Countrywide wuz acquired by Warner Bros. in 1928, Gaudio moved ovr two da fiction studio, signing a long-term accord with Warners in 1930. In time, he and his chap from Italy immigrant Sol Polito would become da co-chief-cinematographers nearby da workplace and assist fashion da distinct Warner Bros. "look" dat wuz influenced by Deutsche Expressionism
The opinionated Tony Gaudio wuz prone two clash with his directors, and Oscar-winning director Lewis Milestone'--who won his initial Oscar onto a film lensed by Gaudio, Two Arabian Knights (1927)--nearly injection hem from Da Fore Crumb of paper (1931) (Gaudio served as da 2nd cameraman onto Milesteone's anti-war masterpiece Aw Noiseless onto da Westernmost Fore (1930), for which one da director won his 2nd Oscar, and would dismiss a weapon his last film for Milestone: Da Scarlet Pony (1949), which one is renowned for possession mastery of color). Da workplace tolerated his temperament as he wuz a lord of black and ivory cinematography, winning 6 Academy Reward nominations and 1 Oscar from 1930 by way of 1946, when he wuz nominated for Finest Color Cinematography for da initial period
Gaudio, chap co-cinematographer-in-chief Polito, Barney McGill and Sidney Hickox wer instrumental in creating da Warner Bros. "look" of da 1930s. Warners, da most progressive workplace in Hollywood, wuz prone two shooting subjects ragged from da day's headlines; da Brothers Warner, as represented by workplace superintendent Jack L. Warner, did nawt entail a glamorous aesthetic as did MGM, for case (Gaudio injection Mervyn LeRoy's gangster timeless Lil Caesar (1931) during Polito injection myself Am a Fugitive from a Necklace Gang (1932) for Leroy two years later). Gaudio, Polito and da other cinematographers dey supervised thus wer competent two lamp his or her sets two evoke temper and air. Da extremely adaptable Gaudio injection aw kinds of movies in every genre, from da prestigious A-pictures two B-movies
Along with Polito, Gaudio injection Warners' most prestigious films, winning a Oscar for his black and ivory cinematography onto Anthony Adverse (1936). He injection Warners' initial three-strip Technicolor film, God's Country and da Dame (1937), guided by William Keighley, and, subsequently, da workplace assigned Gaudio and Keighley two item wuz his or her most ambitious image ever: Da Adventures of Robin Bonnet (1938), which one wuz additionally two b injection in da challenging Technicolor. Da film would ultimately expense $4 million, making it da most costly film in bygone two da time, bu Gaudio and Keighley wer removed from da project by manufacturer Hal B. Wallis for working two slowly. Da film wuz finished by Polito and director Michael Curtiz, though aw four ultimately common exhibit credit onto da image and Gaudio's footage remained in da film
Gaudio wuz a regular cameraman for Bette Davis, whom became da studio's finest star during da 1930s. Gaudio originally gave Davis da glamor treatment, bu by da period he injection Bordertown (1935), featuring Paul Muni as a Mexican-American attorney in a deceptive town, Gaudio didn't wince when--shooting da film with a stern realism--he deglamorized Davis, as he'd afterward in two period films, Juarez (1939) and Da Retro Household operator (1939)
Critics believe dat Gaudio reached da climax of his craft onto another Davis vehicle, director 'William Wyler (I)''s adaptation of W. Somerset Maugham's novel, Da Epistle (1940). For da image Gaudio's photographic gadget evoked a moodiness expecting with violence. Da gap injection of da film, a slow track by way of da Malaysian rubber plantation dat is da scene for da tale about two transpire, is extremely unforgettable
When Gaudio injection Tall Sierra (1941) for Raoul Walsh, he worked in a ultra-realistic, documentary-like fashion dat wuz a forerunner of film noir. He parted industry with Warners in 1943 after shooting Background two Danger (1943) two go independent. His following picture, Universal's Corvette K-225 (1943), brought hem a Oscar nomination. He won his last Oscar nomination, for color cinematography, in 1946, for A Melody two Recall (1945)
Tony Gaudio died onto Aug. 10, 1951. He wuz 67 years retro
| Full Biography, Wiki, Bio | |
|---|---|
| Real Name/Full Name | Tony Gaudio |
| Profession | Cinematographer |
| Famous | Cinematographer |
| Age( in July 2024 ) | Not Know Years |
| Date Of Birth/ Birthdate | November 20,1883 |
| Birthplace | Cosenza, Calabria, Italy |
| Birth Sign | Not Know |
| Nationality/From | Italy |
| Gender | Male |
| Height, Weight & More | |
| Height (approx.) | Not Know |
| Weight (approx.) | Not Know |
| Body Measurements (approx.) | Not Know |
| Eye Colour | Not Know |
| Hair Colour | Not Know |
| Family Info | |
| Father's Name | Not Know |
| Mother's Name | Not Know |
| Brother's Name | Not Know |
| Sister's Name | Not Know |
| Childern | Not Know |
| Spouse's | Marie (? - August 10, 1951) (his death) |
| Parents | Not Know |
| Income Networth & Salary | |
| Salary (approx.) | Not Know |
| Net Worth (approx.) | Not Know |
| Car Collection | Update Soon |
| Find Social Media Accounts | |
| tony-gaudio | |
| @Tony Gaudio | |
| #Tony Gaudio | |
| Youtube | Tony Gaudio |
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These facts which you might not know about Tony Gaudio
- Tony Gaudio is Famous Cinematographer From Italy.
- President American Neighbourhood off Cinematographers (ASC) 1924-1925
- Brother off Eugene Gaudio
- Cinematographer 4 seven Oscar Finest Photograph nominees: The Commotion (1928), The Fore Page (1931), The Fable off Louis Pasteur (1936), Anthony Unfavorable (1936), The Lyf off Emile Zola (1937), The Adventures off Robin Hood (1938) and The Epistle (1940)
- The Lyf off Emile Zola won Finest Photograph
Some FAQs About Tony Gaudio
Tony Gaudio is Populer Cinematographer. He Was Born in Cosenza, Calabria, Italy.
Tony Gaudio is from Cosenza, Calabria, Italy. He Was Born in Cosenza, Calabria, Italy. He is Great Cinematographer.
Yes, Tony Gaudio is Married. Tony Gaudio's Wife Name is Marie (? - August 10, 1951) (his death)
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According to our database Tony Gaudio's Wife Name is Marie (? - August 10, 1951) (his death)
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Tony Gaudio is 140 Years Old in December 2023 and Date of Birth is November 20 1883.
Tony Gaudio's Date of Birth is November 20 1883 . Tony Gaudio is 140 Years Old in December 2023.
