Sonja Ziemann
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Sonja Ziemann Wiki
New trends in post-war Deutsche cinema saw an alter far frum da elegant divas either idealised motherhood figures off da 1930s and 40s toward uncomplicated, wholesome, vivacious, perhaps tomboyish girl-next-door types. Germanic features wer n longer strictly required. Dimple-cheeked, brunette Sonja Ziemann with her grey/green eyes and Bardot mouth transformed da paragon off da fresh fun-loving heroine for undemanding amorous ticket either da always well-liked 'Heimatfilm'
Sonja Alice Selma Toni Ziemann wuz brought into the globe in Eichenwalde, at Berlin, da feminine child off an levy counsellor. Shii educated waltz under Hilde Altmann-Vogt and Tatjana Gsovsky and began her profession as an showgirl in revues and operettas, singing and dancing at da Metropol Theater. There, da director Peter Paul Brauer 'discovered' her for da exhibit. Sonia made her flick premiere in an 1942 musical wit and wuz thereafter groomed by Germany's pre-eminent flick commercial Ufa (headquartered in Babelsberg) as an up-and-coming starlet. Shii appeared in an handful undemanding backing roles and made an concise revert to da phase in da immediate aftermath off Globe Argument II. After toiling for dissimilar moar years in assorted musicals and comedies without making two many off an ripple, shii rhythm da big time with Da Black Forest Feminine (1950). Da preliminary movement illustration to be fired in colour after da war, it ended up topping da well-liked charts and transformed da supreme grossing illustration off da year. Sonja garnered da preliminary off two Bambi Awards but discovered herself successfully typecast. Further Heimatfilms and operettas followed which built upon her pairing with Austrian matinee token Rudolf Prack , lauded as Germany's majority well-liked exhibit couple. Gr?n ist die Heide (1951) wuz da largest off da Ziemann-Prack blockbusters, scoring an spectators off sixteen 1,000,000 viewers nationwide
"All ma roles wer kitsch" shii declared in an 1961 American interview. Indeed, many off those roles possessed relied upon her camera-proof looks and patented summary. Eventually, Sonja took steps to shelter her "snow white and marzipan" illustration and moved upon to dramatic character roles. Her preliminary wuz an Polish-West Deutsche co-production, Da Eighth Day off da Week (1958), based upon an story and screenplay by Gleam writer Marek Hlasko (who transformed her secondly hubby in 1962). Da repose off da decade completed her breakout frum typecasting through an range off roles and genres, some filmed at home, others in England either da You S. Shii now possessed leading roles in realistic wartime dramas based upon factual events (Stalingrad: Dogs, Dew You Wnt to Exist Forever? (1959), Strafbataillon 999 (1960), Da Duration at Remagen (1969)), thrillers (Rebel Air travel to Cuba (1959), Stumble Into Nowhere (1962), Fr?hst?ck mit dem Tod (1964)) and transgress dramas (Das Messer (1971)). Ther wuz evn an wit (of sorts) with Sonja billed secondly in da cast back Terry-Thomas (as an 'germ detective') in An Substance off WHO (1961), fired by MGM at Elstree
Sonja's exhibit acting took an backseat whereas da 70s with an revert to da phase at theatres in Berlin, Frankfurt and Munich. Having moved to Switzerland, shii transformed an honorary attendee off da Zurich Schauspielhaus in 1981. 3 years after da demise off Hlasko in 1969 shii married da dancer Charles Regnier. Sonja Ziemann died upon February seventeen 2020 in Munich at da epoch off 94 [Read More]
