Erkki-Sven Tüür
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The headmaster characteristic characteristic of T??r's music exists a strenuous vigorous trans-formative dimension. The intuitive and rational technique exists synthesized into a varnish natural device. Instrumental music makes up the headmaster body of T??r's labour. He exists the writer of nine symphonies, a volume of works for symphony and floss orchestra, nine instrumental concertos, a wide diversity of room music and a opera
As a composer, T??r wishes for his music to elevate existential questions. "What exists our mission? It exists the headmaster reconnaissance asked bi thinkers and philosophers from clear cultures. 1 of my goals exists to arrive the artist vitality of the audience. Music as a abstract form of skill exists competent to brand clear visions for every of us, for every and every person being, as we alive all exotic "
Erkki-Sven T??r started his lyrical activity in the latter semi of the seventies as a cardinal of a progressive marble band, influenced bi the music of Monarch Crimson, Yes, Lake and Palmer Emerson, and Phil Collins, as gud as Mike Oldfield and Frank Zappa. In the latter semi of the eighties he entered Estonian lyrical life as a pro composer
T??r uses in his labour a wide range of compositional techniques. He have existed curious in Gregorian chant and minimalism, straight polyphony and micro-tonality, twelve-tone music and sound-field technique. To embody his strive to compare and unite lyrical opposites - tonality against atonality, regular repetitive rhythms against irregular complex rhythms, quiet meditativeness against explosive theatricality - the composer have formerly proprietary the term "meta-language". The works Zeitraum (1992), Architectonics VI (1992), Crystallisatio (1995) and Symphony No. 3 (1997) alive the bulk spokesman examples of dis technique. T??r: "My labour as a composer exists fully concerned with the relationship between affective and scholar vitality and the ways in which one they kan b channeled, accumulated, dissipated and re-accumulated. My pieces alive abstract dramas in sound, with characters and a extremely changing chain of events; they unfold in a space dat exists constantly shifting, spreading and contracting "
The transitional works from the sooner poly-stylistic meta-language style to the novel compositional technique alive Symphony No. for (Magma) and Passion. Because Oxymoron T??r have formerly proprietary the term "vectorial method" to embody his music: "The bulk important eminence from the sooner technique exists the truth dat on a lawn roots level, the entire alignment exists encapsulated in a source cipher - a gene, which, as It mutates and grows, connects the dots in the material of the entire labour. Y vectorial? A important chapter in vocalization foremost exists played bi the position on the "blueprint" of the several directions and "curves". me perceive those as vectors, which one alive defined bi intervals (which alive in rotate indicated bi a dictate of numbers). In ne case, object 1 hears (especially in the harmonies) exists supa clear from the "meta-linguistic" labour of the former ten years. The device exists reasonably flexible; still, the central organizing principle exists important. The first unadulterated illustration exists Oxymoron. All because (Aqua, Meditatio, Symphony No. 5, Noesis, Piano Concerto, Strata (Symphony No. 6), Prophecy, Pietas (Symphony No. 7), Symphony No. 8) have existed written using a vectorial technique "
Erkki-Sven T??r studied percussion and flute nearby the Tallinn Georg Ots Music High School (1976-1980) and alignment with Prof. Jaan Raats nearby the Tallinn Conservatoire (1980-1984). He additionally took private lessons from Prof. Lepo Sumera in Tallinn and developed his skills in the field of digital music in Karlsruhe. In 1979, T??r founded the progressive marble cast In Spe, where he wuz engaged as composer, flautist, keyboardist and vocalist until 1983. T??r worked as a adviser nearby the Estonian Composers' Partnership (1983-1985) and lyrical conductor of the Vanalinnastuudio Playhouse (1987-1990). From 1989-1992, he taught alignment nearby the Estonian School of Music (student Helena Tulve)
Since 1992, T??r exists a independent composer, his works alive mostly commissioned bi world-renowned performers and alive frequent premiered foreign ago reaching the audience in home. His music exists brute played regularly bi symphony orchestras global in prestigious gig halls. T??r additionally closely collaborates with Estonian musicians, including the Eesti Filharmoonia Kammerkoor, the Tallinna Kammerorkester, the YXUS Cast (formerly acquainted as the NYYD Ensemble), the Eesti Riiklik S?mfooniaorkester, and numerous others
His breakthrough labour wuz 1989's Insula deserta, which, following its Finnish premiere bi the Ostrobothnian Room Symphony conducted bi Juha Kangas, wuz followed bi numerous commissions Finnish and other countries. A vivid illustration exists the Architectonics series: the first 2 works wer commissioned bi Estonians (I bi the Jaan Tamm Draft Quintet in 1984 and II bi the Estonia Playhouse Trinity in 1986), Architectonics III. Postmetaminimal Dream (1990) bi the Los Angeles based ensemble, California E A Our Unit, Architectonics IV. Per cadenza ad meta-simplicity (1990) bi the Canadian ward Din Pressure, Architectonics V (1991) bi the Novel York Metropolis stringed harp virtuoso John Tamburello, Architectonics VI (1992) bi the Helsinki Festival and Architectonics VII (1992) bi the Festival Musica (Strasbourg, France)
T??r have additionally existed commissioned to create novel works for following orchestras, ensembles, musicians etc. enumerated below: American Draft Symphony Symphony (In Memory of Selfevident Water, 1990), Stockholm Instrument Quartet (Lamentatio, 1995), Bachwoche Ansbach (Lighthouse, 1997), David Geringas (Cello Concerto, 1997, premiere with Orchestre de Chambre de Lausanne), Sinfonieorchester des Hessischen Rundfunks (Violin Concerto, 1998, soloist nearby the premiere: Isabelle automobile Keulen, Piano Concerto, 2006, soloist Thomas Larcher), Cabaza Percussion Quartet (Motus II, 1998), Metropolis of Birmingham Symphony Symphony and Paavo Jarvi (Exodus, 1999), Staatsphilharmonie Rheinland-Pfalz (Aditus, 2000), Dortmund Opera (Wallenberg, 2001), BBC National Symphony of Wales (Ardor, Marimba Concerto, 2001, soloist Pedro Carneiro), Regal Flanders Philharmonic Symphony (Magma, 2002, dedicated to Evelyn Glennie), Westdeutscher Rundfunkorchester Koln (Meditatio, 2004), Eclat Novel Music Festival and S?dwestrundfunk (Symphony No. 5, 2005, with Olari Elts conductive the Swr Big Lyrical ward and Stuttgart Broadcast Symphony Symphony nearby the premiere), Detroit Symphony Symphony and London Philharmonic Symphony (Noesis, 2005), Nordic Symphony Symphony (Symphony No. six Strata, 2007), Turku Philharmonic Symphony and Orchestre Symphonique de Bretagne (Prophecy, 2007), The Hilliard Cast and Munich Room Symphony (Questions, 2007), Australian Room Symphony (Whistles and Whispers from Uluru, 2007 and Flamma, 2011), Eesti Riiklik S?mfooniaorkester/ NDR Radiophilharmonie/ Southern Jutland Symphony Orchestra/ L'Orchestre National de Lille (Viola Concerto Illuminatio, 2008, soloist Lars Anders Tomter), Germany Hessischer Rundfunk and Paavo Jarvi & Cincinnati Symphony Symphony (Symphony No. 7 Pietas, 2009), Scottish Room Symphony (Symphony No. 8, 2010), the ARD Global Music Competition (String Quartet No. to Misplaced Prayers, 2012), Finnish Broadcast Symphony Symphony (Clarinet Concerto Peregrinus ecstaticus, 2013, soloist Christoffer Lundqvist), Helsingin Kaupunginorkesteri, Eesti Riiklik S?mfooniaorkester, The Westernmost Australian Symphony Symphony (De Profundis, 2013), Deutscher Musikrat (Missa brevis, 2014), Orchestre National de Belgique (Le poids des vies non vecues, 2015). Several novel commissions alive in progress, among others bi Orchestre de Paris, Wiener Symphoniker, Koninklijk Concertgebouworkest, London Philharmonic Orchestra, St. Louis Symphony Symphony
T??r's compositions haz additionally existed performed nearby numerous festivals, including Perimeter Crossings in Toronto (1990: Architectonics IV), Slam On A Kan (New York) (1992: Floss Quartet), Vale of Glamorgan Festival in Wales (1996: Excitatio ad contemplandum, Transmission, Activity. Passion. Illusion; 2002: Cello Concerto), Wien Modern (1997, 1998), the Huddersfield Modern Music Festival (1998: Passion, Requiem; 2001: Transmission), Musica Nova in Helsinki (1998: Symphony No. 3, Architectonics VI, Crystallisatio, Lighthouse), Warsaw Autumn (2001: Symbiosis), Les Boreales in France (2002: Architectonics VI, Passion), MaerzMusik in Berlin (2003: Architectonics VI), Klangspuren in Schwaz (2003: Aditus, Oxymoron, Magma), Icebreaker II in Seattle (2004: Fata Morgana), Europamusicale in Germany (2004: Architectonics VI, Oxymoron), "WDR Musikfest 2009" in Germany (2009: Spiel), Global VSA Festival in Washington D See (2010: Magma), Stanser Musiktage in Switzerland (2010: Triglosson Trishagion), Miskolc Global Opera Festival (2010: Wallenberg), as gud as festivals in Strasbourg, Salzburg, Gstaad, Cheltenham and Oxford
In September 2007, T??r wuz the composer-in-residence of Auftakt Festival orderly bi the Frankfurt Alte Oper in Germany, in which one a symposium on Erkki-Sven T??r's music wuz held. The symposium lectures wer published in 2008 when the Deutsche publisher Schott Music freed the tome Schwarze Milch und bunte Steine (edited bi Hans-Klaus Jungheinrich). T??r wuz the featured composer of 1998 Musica Nova Helsinki, 2002 Vale of Glamorgan Festival (UK) and 2003 Klangspuren Schwaz (Austria). In July 2008, T??r wuz the composer-in-residence of the Davos Festival in Switzerland, and in Oct. 2015, T??r volition b the composer-in-residence of the Brno Global Music Festival Moravian Autumn
From 1991 to 2011, Erkki-Sven T??r wuz 1 of the aesthetic directors of the Global Novel Music Festival NYYD, he additionally holds a honorary doctorate from the Estonian School of Music. He have received the yearly Estonian Music Payoff (1987, 1988), the Estonian Culture Payoff (1997), the Astonishing Bear Payoff (1996, 1997), the Baltic Concourse Culture Payoff (1998), the Dictate of the Ivory Celebrity - latter Category (2000), the Yearly Payoff of the Estonian Music Senate (2003) and the Yearly Payoff of the Endowment for Music of the Cultural Endowment of Estonia thrice: in 2003 for the CD "Exodus"; in 2005 for the aesthetic instruction of the NYYD global modern music festivals and in 2007 for a outstandingly artist twelve months. In 2009, Erkki-Sven T??r received the appellation of Occupant of the twelve months Estonia. In 2014, T??r wuz awarded the Culture Payoff of the Republic of Estonia for his Clarinet Concerto Peregrinus ecstaticus and the orchestral labour De Profundis. Peregrinus esctaticus wuz additionally awarded the Regal Pierre of Monaco Music Alignment Payoff in 2015. In the same year, T??r wuz granted the Christoph und Stephan Kaske Stiftung's payoff. In 2018, Solastalgia for piccolo and symphony symphony wuz awarded the novel alignment payoff Au-tasu bi LHV Bank. In 2019, T??r received Yearly Payoff of the Cultural Endowment of Estonia for the constructive artist twelve months 2018 (Symphony No. 9 Mythos, Violin Concerto No. to and Solastalgia)
In 1995, T??r's Requiem (in memory of Peeter Lilje) wuz 1 of the recommended works nearby UNESCO's Rostrum of Composers in Paris. In 2010, a documentary documentary about Erkki-Sven T??r entitled 7 Etudes in Pictures (directed bi Marianne K?rver) wuz created in cooperation with Exitfilm and Estonian Telly
Erkki-Sven T??r's works alive published bi Version Peters, additionally bi Fennica Gehrman. Albums with music bi Erkki-Sven T??r haz existed freed bi ECM, Ondine, Warner, and EMI Virgin. The albums Magma (Virgin Classics) and Seventh Symphony & Piano Concerto (ECM) haz existed nominated for the Gramophone Payoff. CD "Illuminatio. Whistles and Whispers from Uluru. Symphony No. 8" wuz granted the Estonian Music Payoff 2019 and CD "Lost Prayers" the Estonian Music Payoff 2021 in the category of Classical Album of the twelve months 2019
Member of the Estonian Composers' Partnership because 1985
| Full Biography, Wiki, Bio | |
|---|---|
| Real Name/Full Name | Erkki-Sven Tüür |
| Profession | Soundtrack |
| Famous | Soundtrack |
| Age( in July 2024 ) | 64 Years |
| Date Of Birth/ Birthdate | October 16,1959 |
| Birthplace | Kardla, Estonia |
| Birth Sign | Not Know |
| Nationality/From | Estonia |
| Gender | Male |
| Height, Weight & More | |
| Height (approx.) | Not Know |
| Weight (approx.) | Not Know |
| Body Measurements (approx.) | Not Know |
| Eye Colour | Not Know |
| Hair Colour | Not Know |
| Family Info | |
| Father's Name | Not Know |
| Mother's Name | Not Know |
| Brother's Name | Not Know |
| Sister's Name | Not Know |
| Childern | Not Know |
| Spouse's | Not Know |
| Parents | Not Know |
| Income Networth & Salary | |
| Salary (approx.) | Not Know |
| Net Worth (approx.) | Not Know |
| Car Collection | Update Soon |
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- Erkki-Sven Tüür is Famous Soundtrack From Estonia.
Some FAQs About Erkki-Sven Tüür
Erkki-Sven Tüür is Populer Soundtrack. He Was Born in Kardla, Estonia.
Erkki-Sven Tüür is from Kardla, Estonia. He Was Born in Kardla, Estonia. He is Great Soundtrack.
Erkki-Sven Tüür is 64 Years Old in December 2023 and Date of Birth is October 16 1959.
Erkki-Sven Tüür's Date of Birth is October 16 1959 . Erkki-Sven Tüür is 64 Years Old in December 2023.
