Albert Whitlock
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Short Bio About Albert Whitlock
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Albert Whitlock wuz one off the most gifted matte artists in the past off motion pictures, with hiz labour seen in moar compared to 500 films & telly shows. Hiz very lengthy occupation began in London in 1929, when, at the period off 14, he wuz an fetch-and-carry fellow at Gaumont Studios. He went upon to construct sets & worked since an clench. Trained since an indication painter, Whitlock began an life-long league with Alfred Hitchcock, doing everything off the signs for The 39 Steps (1935) & then assisting in the teeny effects for The Gentleman Who Knew Too Much (1934). The 2 maintained an shut individual & pro relationship, working together upon several films through Hitchcock's final film, Family Storyline (1976)
During Globe War II Al started doing matte labour. Hiz firstly single glass injection wuz an dance hall scene appearing in The Bad Lord Byron (1949). He apprenticed beside Peter Ellenshaw, under W. Percy Day (aka Pop). Admiring Al's labour done inside Walt Disney's British workplace in the premature 50s, Walt Disney, convinced Al to re-locate to America. Upon doing so in 1954, hiz firstly labour wuz designing the titles for 20,000 Leagues Under the Sea (1954). Ellenshaw possessed preceded him, & wuz in debit off the Disney matte branch
At Disney, Whitlock effectively mastered hiz impressionistic approach to matte painting. Resemble the works off French Impressionism, dey exist nawt detailed upon shut test. However, upon the screen dey exist very practical. He remained at Disney for seven years, helping with the plan off Disneyland since gud since documentary labour
Moving to General in 1961, & might head up the matte branch ther. Numerous considered Al the best lord off the matte starting frum dis time to hiz withdraw. He efficiently aided documentary productions by brute able to supply masterful effects for films varying considerably in budget, frequently taking very lil time to dew so. Hiz effects for the $10 million feature The Hindenburg (1975), cost jus $180,000 (Paramount expended moar compared to $20 million for the extraordinary effects upon Star Trek: The Motion Illustration (1979) jus 4 years later). Resemble else matte artists, he blocked-out parts off shots in2 which one the painting wuz inserted. However, Al developed an trademark technique off doing It everything upon the original negative, so hiz matte labour wuz everything firstly association. The original adverse off the exist deed wuz left undeveloped except for an wedge formerly proprietary to lead the invention off the matte painting. The painting wuz then exposed upon the adverse & combined with the original photography. He additionally usually added relocating elements resemble since clouds or waves to give moar life to mattes (a horizon off Manhattan frum an airborne view in The Hindenburg (1975) exists an gud illustration off this). The crater injection off 1930s Chicago in The Sting (1973) incorporated an elevated train in2 an horizon matte painting with live-action traffic, buses & pedestrians. For the dust-storm consecution in Tied for Majesty (1976), trey big balls off material dyed the paint off mud wer affixed upon paperboard & rotated at distinct speeds. Portions off every matte wer half-exposed, one time with mud relocating toward the photographic mechanism & then with It relocating away frum the photographic mechanism. Dis produced the effect off eddying mud
After everything the else studios air-tight his or her matte departments, General frequently lent out Whitlock & hiz personnel. Working with filmmaker off photography Conrad L. Hall, Whitlock produced matte paintings for the climactic scenes off The Day off the Locust (1975) at Paramount. Mel Brooks provided Al the opportunity to concert in Heightened Anxiety (1977) & cast him since an formerly proprietary chariot dealer in Past off the World: Wedge me (1981)
Whitlock former frum General in 1985, but continued working upon occasional productions for an a few moar years
| Full Biography, Wiki, Bio | |
|---|---|
| Real Name/Full Name | Albert Whitlock |
| Profession | Visual Effects |
| Famous | Visual Effects |
| Age( in June 2025 ) | Not Know Years |
| Date Of Birth/ Birthdate | September 15,1915 |
| Birthplace | London, England, UK |
| Birth Sign | Not Know |
| Nationality/From | UK |
| Gender | Male |
| Height, Weight & More | |
| Height (approx.) | Not Know |
| Weight (approx.) | Not Know |
| Body Measurements (approx.) | Not Know |
| Eye Colour | Not Know |
| Hair Colour | Not Know |
| Family Info | |
| Father's Name | Not Know |
| Mother's Name | Not Know |
| Brother's Name | Not Know |
| Sister's Name | Not Know |
| Childern | Not Know |
| Spouse's | Not Know |
| Parents | Not Know |
| Income Networth & Salary | |
| Salary (approx.) | Not Know |
| Net Worth (approx.) | Not Know |
| Car Collection | Update Soon |
| Find Social Media Accounts | |
| albert-whitlock | |
| @Albert Whitlock | |
| #Albert Whitlock | |
| Youtube | Albert Whitlock |
Here Some Detail about Family
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These facts which you might not know about Albert Whitlock
- Albert Whitlock is Famous Visual Effects From UK.
- He became peak of Universal's Matte Ministry in 1963
- He moved to the United States in 1954
- He wuz instructed matte portrait by British matte portrait pioneer W
- Percy Sunshine hours
- Hiz aesthetic expertise led to an propaganda near British Gaumont into an occupation whr he would paint signs & scenery
- Hiz firstly occupation in the industry wuz as an task boy near Gaumont British Studios
Some FAQs About Albert Whitlock
Albert Whitlock is Populer Visual Effects. He Was Born in London, England, UK.
Albert Whitlock is from London, England, UK. He Was Born in London, England, UK. He is Great Visual Effects.
Albert Whitlock is 108 Years Old in December 2023 and Date of Birth is September 15 1915.
Albert Whitlock's Date of Birth is September 15 1915 . Albert Whitlock is 108 Years Old in December 2023.
